| PREFACE:AENEIDOS
METALLIAPOTHEOSIS IS AN OPERA DIVIDED IN 4 PARTS ( THE FIRST IS HERE)
BASED ON A MANOSCRIPT OF MINE (REASCENDING TO '94) THAT FREELY PERFORM
THE "ENEIDE" OF VIRGILIO IN AN INTROSPECTIVE WAY. THE
ENTIRE TETRALOGY REPRESENT THE FIRST VOLUME OF THE CONCEPT HESPERIA. METAL
UNIVERSE AND THE MILLENARY HESPERIAN SPIRIT ACT LIKE A FILTER TO
THE MUSIC, THE CHARACTERS, AND TO THE NARRATION THAT ARE IN THE ESSENCE
EPIC, SOLEMN AND CELEBRATIVE DERIVED FROM HISTORICAL-MYTHOLOGYCAL LICTERATURE
AND ALSO FROM CINEMATOGRAPHY AND DRAMATIC OPERAS. THE CELEBRATION THROUGH
METAL IT'S SEEN AS THE ONLY CONTEMPORARY FORM OF ARTISTICAL-MUSICAL EXPRESSION
TO GIVE NEW VOICE TO HISTORICAL, CULTURAL, FOLKLORISTIC, ELEMENTS ( FROM
LATIN-GREEK METALLI-APOTHEOSIS=METAL CELEBRATION). THIS IS TRUE ALSO FOR
THE LYRICAL EXPRESSION THAT GIVE TO THE CHARACTERS AND TO THE TALES AN
EMPHASIS IN TUNING WITH THIS EPOC, AVOIDING FORMS OF STANDARD MUSIC THAT
COULD DENATURALIZE THE SOLEMNITY OF THE OPERA.
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STRUCTURE: THIS FIRST PART OF THE OPERA CONTAIN A PROOEMIUM ( A SORT OF PROLOGUE) TO THE ENTIRE OPERA AND 2 SUITES (OR ACTS)UNITED BY AN INTERLUDIUM AND DIVIDED IN SCENES CONCEPTED LIKE NARRATIVE, MUSICAL AND VISUAL SEQUENCES. THOSE ARE INDIPENDENT AS SONOROUS SCENOGRAPHY BUT DIPENDENT LIKE CELLS IN THE EVOLVING OF THEMES OF THE NARRATIVE PLOT. IN ADDICTION SOME MOMENT , MORE FELT, ARE EXPANDED IN TIME AND SPACE CREATING AMBIENT PART TO ANTICIPATE SOME SCENES, OR PART OF INTROSPECTIVE REFLECTIONS. NARRATION ( OF THE ENTIRE 4 PART OF AENEIDOS METALLIAPOTHEOSIS): THE POEM SPEAK ABOUT THE VOYAGE OF ENEA, A TROIAN HERO, THAT AFTER THE FALL OF TROY, DIRECT HIMSELF WITH HIS COMPANIONS TOWARDS THE RESEARCH OF THE LAND THAT WILL GIVE ORIGINE TO AN IMMENSE FUTURE EMPIRE (ROME). ENEA FOLLOWS HIS FATE IN BAD AND GOOD EVENTS AND HIS VOYAGE IS RICH OF MYTHOLOGYCAL AND FANTASTIC TALES: THE ARRIVE IN THE SAVAGE LAND DENSE OF WOODS(HESPERIA) THAT THE GODS PREDICT TO HIM, THE BATTLES WITH THE NATIVE POPULATION, THE KILL OF TURNO(KING OF THE LATINS), THE UNION OF ENEA WITH LAVINIA(DAUGHTER OF THE KILLED KING), FROM WHICH WILL BORN THE GENS OF THE FUTURE EMPIRE. THIS FIRST PART: 1 PROOEMIUM MCMXCVIII (MP3): EXPRESS THEME, SUBJECT AND INSPIRATION FROM THE MUSES. IT IS THE PROLOGUE OF THE ENTIRE TETRALOGY AND IS RE-INTERPRETED ONLY IN INSTRUMENTAL WAY. 2-11 TYRIAE TURRES (MP3s & illustrations):THE FIRST SUITE (REFERED TO THE FIRST BOOK OF AENEID). ENEA AND THE TROIAN ESCAPED FROM THE WAR AGAINST THE GREEKS, FACE A VIOLENT STORM( ON THE SEA BETWEEN TRINACRIA AND TYRIA) CONSPIRED BY THE GODDESS GIUNO WITH EOLO, THE GOD OF THE WINDS. THE HEROES ARE SAVED BY THE INTERVENTION OF NETTUNO, GOD OF THE SEA. 12-29 ILIAE MEMORIAE (MP3s & illustrations): THE SECOND SUITE (SECOND BOOK). THE SUFFERENT TROIANS ARE WELCOMED BY THE PEOPLE OF CARTHAGO (CARTAGINE) AND ENEA TELLS THEIR ESCAPE FROM THE WAR AGAINST THE GREEK (IN TROY) TO THE QUEEN DIDO. THE PRINCIPAL MOMENT IS THE CELEBRATION OF THE TROIAN HERO: IN HONOREM HEROIS NOTE (MYTHOLOGYCAL): DIFFERENTLY FROM OMER'S POEMS(ILIADE & ODISSEA) WHERE THE GREEKS ARE HEROES, IN VIRGILIO'S "ENEIDE" THEY ARE ENEMIES AND THE HEROES ARE THE TROIANS, THE GENS THAT WILL UNITE TO THE LATIN ONE TO ORIGINATE THE FUTURE ROME ANTAGONIST OF THE GREEKS.
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IMPORTANT- IMMAGES WAS
TAKEN FROM DIFFERENT SOURCES & AGES; THEY ARE CONCEPTED LIKE VISUAL
SEQUENCES OR SCENES OR PHOTOGRAMS AND CONNECTED WITH MUSIC BY THE NUMBERS
INDICATED UPSIDE EVERY PARAGRAPH TYTLE ( THESE NUMBERS ARE THE SAME
OF THE TRACKS ON YOUR CD- PLAYER SCREEN, FROM 1 TO 29) NOTE (TECHNICAL): THE QUANTITY OF THE SAMPLES IS DUED TO THE "OPEN MUSIC REGISTRY LICENSE", BUT SINCE THE WEB SPACE OF THIS SITE IS NOT ENOUGH, THE MUSIC IS VERY COMPRESSED & ITS QUALITY IS NOTABLY LOW (-40 BITRATE); SO IF YOU WANT THE REAL SOUND CONTACT ME FOR CD.
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